{"id":725,"date":"2015-04-13T10:11:17","date_gmt":"2015-04-13T10:11:17","guid":{"rendered":"https:\/\/archivioaccardisanfilippo.it\/?page_id=725"},"modified":"2023-01-26T12:54:23","modified_gmt":"2023-01-26T12:54:23","slug":"a_celant2","status":"publish","type":"page","link":"https:\/\/archivioaccardisanfilippo.it\/?page_id=725","title":{"rendered":"A_celant2"},"content":{"rendered":"
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Carla Accardi<\/div>\n
LA VITA<\/a> | LE OPERE<\/a> | SAGGI<\/a> | BIBLIOGRAFIA<\/a> | ELENCO MOSTRE<\/a><\/div>\n<\/div>\n<\/div>
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\"CS2\"<\/p>\n<\/div>

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CARLA ACCARDI<\/strong>
\nLa vita delle forme \/ The Life of Forms<\/strong><\/h3>\n

Curatore Germano Celant<\/em><\/p>\n

Formato 24 x 30
\nPagine 592
\nN. illustrazioni 240 in b\/n, 950 a colori
\nRilegatura cartonato con copertina a colori
\nAnno pubblicazione 2011
\nLingua ed. bilingue italiano\/inglese
\nISBN\/EAN 9788836618651<\/p>\n

Silvana Editoriale<\/a><\/p>\n<\/div>

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\"\"<\/em>Carla Accardi (Trapani, 1924) \u00e8 un\u2019artista che, insieme a Meret Oppenheim, Louise Bourgeois, Agnes Martin e molte altre, ha contribuito all\u2019affermazione di un linguaggio tanto personale quanto internazionale.<\/p>\n

La sua opera, studiata con attenzione dallo storico dell\u2019arte Germano Celant, viene qui ripercorsa nella sua completezza, mostrando ai lettori come l\u2019impulso creativo dell\u2019artista si sia costantemente rigenerato \u2013 anche di fronte ai mutamenti linguistici che hanno marcato gli ultimi cinquant\u2019anni di storia dell\u2019arte \u2013 in una metamorfosi sempre nuova della pratica artistica. Caratteristica della Accardi \u00e8 di far scaturire dalla tela o da altri materiali, come la ceramica o il plexiglas, una luminosit\u00e0 di cromatismi che trova, nell\u2019incontro tra segni e superfici, una tensione complessa e profondamente vitale.<\/p>\n

Il saggio di Germano Celant \u00e8 composto dal testo storico presente nella monografia delle Edizioni Charta (Milano, 1999) che copre l\u2019opera dell\u2019artista dal 1946 al 1995, arricchito dalla trattazione analitica delle opere dal 1996 al 2009.<\/p>\n

Inoltre il catalogo annovera le opere non apparse nella prima monografia, arrivando sino alla produzione del 2009 e ponendosi cos\u00ec a integrazione completa del precedente volume. Le tavole delle opere sono accompagnate dai testi della stessa Accardi, mentre gli apparati biobibliografici completano il volume.<\/p>\n

\"\"<\/em>Carla Accardi (Trapani, 1924), together with many other female artists including Meret Oppenheim, Louise Bourgeois and Agnes Martin, contributed towards establishing an artistic language that was as personal as it was international.<\/p>\n

Her work, which was the object of meticulous study on behalf of Germano Celant, is covered here in its entirety, illustrating to readers how this artist\u2019s creative drive was in a constant state of regeneration \u2013 even in the face of the mutations that have transformed artistic expression in the past fifty years of art history \u2013 in a metamorphosis of the artistic practice that was forever new. A distinctive trait of Accardi\u2019s work was her ability to confer, be it on the canvas or in other materials she used such as ceramic or Plexiglas, a chromatic luminosity which when combined with her signs and surfaces was able to convey a complex and profoundly vital tension.<\/p>\n

The text by Germano Celant consists of the historic text included in the Edizioni Charta (Milan, 1999) monograph, covering the artist\u2019s work from 1946 to 1995 and enriched with a critical appraisal of works from 1996 up until 2009.<\/p>\n

The catalogue also lists works which were not included in the monograph, covering production up until 2009, consequently providing a completion of the previous volume. The illustrations of the works are accompanied by texts written by Accardi herself. A bibliography completes the volume.<\/p>\n<\/div>

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